15SR63A: Recording Studio Design Sound Recording 6th Sem Syllabus for Diploma DTE Karnataka C15 Scheme

Recording Studio Design detail syllabus for Sound Recording Engineering (81), C15 scheme is taken from DTE Karnataka official website and presented for diploma students. The course code (15SR63A), and for exam duration, Teaching Hr/week, Practical Hr/week, Total Marks, internal marks, theory marks, duration and credits do visit complete sem subjects post given below.

For all other sound recording 6th sem syllabus for diploma c15 scheme dte karnataka you can visit Sound Recording 6th Sem Syllabus for Diploma C15 Scheme DTE Karnataka Subjects. For all other Elective subjects do refer to Elective. The detail syllabus for recording studio design is as follows.

Pre-requisites:

Knowledge of Architectural Acoustics

Course Objectives:

1. To enable the students to independently design layouts for recording studios ranging from small studios to large halls
2. To help students understand reverberation time calculation and selection of the right reverb time.
3. To expose students to acoustically treat the studios for a noise free environment

Course Outcomes:

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UNIT-I SMALL RECORDING STUDIOS

Acoustical Characteristics of a Studio, Direct and Indirect Sound, Room Treatment Reverberation Time, Optimal Reverberation Time, Diffusion, Noise, Studio Design, Absorption Design, Proposed Room Treatment.

UNIT-II CONTROL ROOMS

Initial Time-Delay Gap,Reflections versus Diffusion,Loudspeaker Placement and Reflection Paths, Reflection-Free Control Room, Control-Room Frequency Range

UNIT-III AUDIO/VIDEO ROOMS

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UNIT-IV LARGE HALLS

Essential Design Criteria, Reverberation and Echo Control, Hall Design for Speech Volume,Hall Geometry, Absorption Treatment, Ceiling, Walls, and Floor, Speech Intelligibility, Speech Frequencies and Duration, Subject-Based Measures Analytical Measures, Concert Hall Acoustical Design, Reverberation Clarity Seating Capacity Volume, Concert Hall Architectural Design, Balcony, Ceiling and Walls, Raked Floor, Hall Design Procedure

UNIT-V LISTENING ROOM AND MULTI TRACK RECORDING

Small-Room Acoustics, Room proportions, Reverberation time, Control of modal resonances, The Mid-High Frequencies, Identification and treatment of Reflections points,
Multi track Recording-Flexibility, Advantages of Multitrack , Disadvantages of Multitrack, Achieving Track Separation, Studio Acoustics, Distance between artists, Microphone management ,Barriers for separation, Electronic separation, Electronic instruments and separation, The Future of Multichannel Automation

UNIT-VI QUIET AIR FOR THE STUDIO

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Reference Books:

1. Recording Studio Design second edition -Philip Newell
2. Recording Studio Design Third edition -Philip Newell
3. Handbook for Sound Engineers -Howard W Sams & Co.
4. Architectural Acoustics – B & K Publications –
5. Master Handbook of Acoustics – F.Alton Everest
6. Acoustics Vol I and II – R.L.Suri Tremaine.
7. Audio Cyclopedia
8. ISI codes (Acoustics). Environmental Acoustics – L. Doelle.

Course Delivery:

The course will be delivered through lectures

Suggested List of Student Activities:

Note: the following activities or similar activities for assessing CIE (IA) for 5 marks (Any one)

1. Each student should do any one of the following type activity or any other similar activity related to the course and before conduction, get it approved from concerned Teacher and HOD.
2. Each student should conduct different activity and no repeating should occur

1. Prepare case study report of sound recording studio of our Institute

Note to IA verifier:

The following documents to be verified by CIE verifier at the end of semester

1. Blue books ( 20 marks)
2. Student suggested activities report for 5 marks and should be assessed
3. Student feedback on course regarding Effectiveness of Delivery of instructions & Assessment Methods.

Model Question Paper:

(CIE)

1. List Acoustical Characteristics of a Studio
2. Explain Direct and Indirect Sound
3. Compare Reflections versus Diffusion
4. Discuss Control-Room Frequency Range

Model Question Paper:

PART-A

1. List Acoustical Characteristics of a Studio
2. Discuss Studio Design
3. Compare Reflections versus Diffusion
4. Discuss about Room Resonances
5. List the Essential Design Criteria for large hall
6. Explain the Identification and treatment of Reflections points
7. List the Advantages and Disadvantages of Multitrack
8. Discuss about Selection of Noise Criterion
9. Explain Duct Lining

PART -B

1. Explain Room Treatment for a proposed studio
2. Discuss about Room Resonances
3. Explain Specialized Treatment
4. Explain briefly about Voice-Over Booth
5. Discuss Early Reflections
6. Discuss how to control Reverberation and Echo
7. Illustrate Hall Geometry of a large hall
8. Discuss about Small-Room Acoustics
9. Discuss Microphone management
10. Explain about Reactive Silencers and Resonator Silencer

For detail syllabus of all other subjects of BE Sound Recording, C15 regulation do visit Sound Recording 6 syllabus for C15 Regulation.

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