15SR61T: Audio Production-II Sound Recording 6th Sem Syllabus for Diploma DTE Karnataka C15 Scheme

Audio Production-II detail DTE Kar Diploma syllabus for Sound Recording Engineering (SR), C15 scheme is extracted from DTE Karnataka official website and presented for diploma students. The course code (15SR61T), and for exam duration, Teaching Hr/week, Practical Hr/week, Total Marks, internal marks, theory marks, duration and credits do visit complete sem subjects post given below. The syllabus PDFs can be downloaded from official website.

For all other sound recording 6th sem syllabus for diploma c15 scheme dte karnataka you can visit Sound Recording 6th Sem Syllabus for Diploma C15 Scheme DTE Karnataka Subjects. The detail syllabus for audio production-ii is as follows.

Pre-requisites:

Knowledge of Studio Recording Techniques, & Digital Audio, Audio Production-I

Course Objectives:

1. To Train students completely in audio Production

Course Outcomes:

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UNIT-I AUDIO MIXING CONSOLES

Stages of recording, consoles functions and formats, analog mixer- input section, output section, monitor section, phantom power, Mic- preamp, input selector switch, insert jacks, input fader equalizer , direct out, channel assign switch, pan pot, aux, additional features in large mixing consoles, Digital mixer- digital mixer features, software mixer, control surface.

UNIT-II AUDIO CONSOLE OPERATION

Session preparation- set up the console and recorder, assign inputs to tracks, set recording levels, set equalizers, recording, playback, punching-in/out, composite tracks, getting more tracks, drum replacement, mix-down, erase or delete unwanted
material, panning, high pass filter, compression, set a balance, add effects, set levels, judging the mix, changes during the mix, record or export the mix, automated mixing, types of automation systems, automated mixing procedure.

UNIT-III SESSION PROCEDURES,

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UNIT-IV EFFECTS AND PLUG-INS

Software effects (plug-ins), Equalizer-types of equalizer ,uses of equalizer, compressor- using a compressor, compression graph, attack time, release time, output-level control, Limiter, noise gate, delay, echo, doubling, chorus, flanging, reverberation, reverb parameters, enhancer, harmonizer, vocal processor, pitch correction, tube processor, rotary speaker simulator, analog tape simulator, spatial processor, surround sound, multi-effects processor

UNIT-V JUDGING SOUND QUALITY

Classical versus popular recording, good sound recording, good tonal balance, spaciousness, sharp transients, wide and detailed stereo imaging, wide but controlled dynamic range, good sound in a classical-music recording.

UNIT-VI WEB AUDIO AND ONLINE COLLABORATION

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Reference Books:

1. Audio Engineering -Douglas Self, Richard Brice, Ben Duncan.
2. Sound and Recording 6th Edition -Francis Rumsey and Tim McCormick
3. Audio Engineering 101 -Timothy A. Dittmar
4. Modern Recording 7th edition -David Miles Huber Robert E. Runstein
5. Practical Recording Techniques 5th Edition – Bruce Bartlett Jenny Bartlett
6. Broad casting Engineering Reference Book – E.P.J. Tozer
7. Audio Engineer’s Reference – Michael Talbot-Smith
8. Audio Engineering 101 – Timothy A. Dittmar

Course Delivery:

The course will be delivered through lectures

Suggested List of Student Activities:

Note: the following activities or similar activities for assessing CIE (IA) for 5 marks (Any one)

1. Each student should do any one of the following type activity or any other similar activity related to the course and before conduction, get it approved from concerned Teacher and HOD.
2. Each student should conduct different activity and no repeating should occur

1. Prepare a report about the various sections of analog mixer available in our Institute

Note to IA verifier:

The following documents to be verified by CIE verifier at the end of semester

1. Blue books ( 20 marks)
2. Student suggested activities report for 5 marks and should be assessed
3. Student feedback on course regarding Effectiveness of Delivery of instructions & Assessment Methods.

Model Question Paper:

(CIE)

1. List the Stages of recording
2. iscuss consoles functions and formats
3. xplain in detail about Preproduction process
4. Discuss recording order, track assignments

Model Question Paper:

PART-A

1. List the Stages of recording
2. Appreciate the need of control surface in studio
3. list the features of digital mixer
4. Discuss the importance of panning
5. Explain composite tracks
6. Prepare a track sheet for audio recording
7. List the types of equalizers
8. Compare Classical versus popular recording
9. Differentiate between Streaming versus downloading

PART -B

1. Discuss consoles functions and formats
2. Discuss automated mixing
3. Explain Session preparation
4. Explain in detail about Preproduction process
5. Explain about Mastering and CD burning,
6. Discuss the importance of Limiter
7. Explain about multi-effects processor
8. Explain the following effects -noise gate, delay, echo, doubling, chorus, flanging
9. Explain about wide and detailed stereo imaging
10. Discuss sharing multi-track projects.

For detail syllabus of all other subjects of BE Sound Recording, C15 scheme do visit Sound Recording 6th Sem syllabus for C15 scheme.

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