15SR51T: Audio Production -I Sound Recording 5th Sem Syllabus for Diploma DTE Karnataka C15 Scheme

Audio Production -I detail DTE Kar Diploma syllabus for Sound Recording Engineering (SR), C15 scheme is extracted from DTE Karnataka official website and presented for diploma students. The course code (15SR51T), and for exam duration, Teaching Hr/week, Practical Hr/week, Total Marks, internal marks, theory marks, duration and credits do visit complete sem subjects post given below. The syllabus PDFs can be downloaded from official website.

For all other sound recording 5th sem syllabus for diploma c15 scheme dte karnataka you can visit Sound Recording 5th Sem Syllabus for Diploma C15 Scheme DTE Karnataka Subjects. The detail syllabus for audio production -i is as follows.

Pre-requisites:

Knowledge of Studio Recording Techniques, & Digital Audio

Course Objectives:

1. To understand the Selection and placement of Microphone.
2. Outline Surround Sound Techniques
3. Explain the concepts of Time codes used in sound Recording,

Course Outcomes:

For complete syllabus and results, class timetable and more pls download iStudy Syllabus App. Its a light weight, easy to use, no images, no pdfs platform to make students life easier.

UNIT-I Placement And Selection Of Microphone

Placement of Microphones for different instruments, Phasing of microphones, General rules pertaining to placement of microphones for dialogue recording, Music recording, sound effects. selection of Microphone

UNIT-II Surround Sound System

Three-Channel (3.0) Stereo, Four-Channel Surround (3.1 Stereo) ,Purpose of four-channel systems, Loudspeaker configuration, Limitations of four-channel reproduction,5.1-Channel Surround (3.2 Stereo),Purpose of 5.1-channel systems, International standards and configurations, The LFE channel and use of subwoofers, Limitations of 5.1-channel reproduction, Signal levels in 5.1 surround, Other Multichannel Configurations-7.1-channel surrounds, 10.2-channel surrounds,
Matrixed Surround Sound Systems-Dolby Stereo, Surround and Pro Logic, Circle Surround, Dolby EX.
Digital Surround Sound Formats-Dolby Digital, DTS, MPEG surround modes, Surround Sound Monitoring-Differences between two-channels and surround mixing rooms, Front loudspeakers in general, Center loudspeaker, Surround loudspeakers, Subwoofers.

UNIT-III Surround Sound Recording Techniques

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UNIT-IV Noise Reduction system

Analog Noise Reduction, dbx Noise-Reduction System, Dolby Noise-Reduction System ,Single-Ended Noise-Reduction Process, Noise Gates, Digital Noise Reduction, FFT-Based Noise Reduction ,Digital Single-Ended Noise-Reduction Systems, De-clicking and De-popping, Dither.

UNIT-V Time codes

EBU and SMPTE, Time code Frames, Recording Time code- LTC, VITC, Time code Master and Slave, Relevance and importance of Time Codes

UNIT-VI Networks

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Reference Books:

1. Audio Engineering
2. Sound and Recording 6th Edition
3. Audio Engineering 101
4. Modern Recording 7th edition
5. Practical Recording Techniques 5th Edition – Bruce Bartlett Jenny Bartlett
6. Broad casting Engineering Reference Book – E.P.J. Tozer
7. Audio Engineer’s Reference – Michael Talbot-Smith
8. Audio Engineering 101 – Timothy A. Dittmar

Course Delivery:

The course will be delivered through lectures

Suggested List of Student Activities:

Note: the following activities or similar activities for assessing CIE (IA) for 5 marks (Any one)

1. Each student should do any one of the following type activity or any other similar activity related to the course and before conduction, get it approved from concerned Teacher and HOD.
2. Each student should conduct different activity and no repeating should occur

1. Visit a nearby Film Theatre and collect information & data collection about 5.1 surround sound system

Note to IA verifier:

The following documents to be verified by CIE verifier at the end of semester

1. Blue books ( 20 marks)
2. Student suggested activities report for 5 marks and should be assessed
3. Student feedback on course regarding Effectiveness of Delivery of instructions & Assessment Methods.

Model Question Paper:

(CIE)

1. Explain about phasing of microphones
2. List the general rules pertaining to placement of microphones for dialogue recording
3. Identify the need of four-channel systems
4. Explain 5.1-Channel Surround

Model Question Paper:

(SEE)
PART-A

1. Explain about phasing of microphones
2. List the functions of front loudspeakers
3. List the limitations of four-channel reproduction
4. List the principles of surround sound microphone technique
5. Explain pseudo-binaural techniques
6. Explain Analog Noise Reduction
7. Explain FFT-Based Noise Reduction
8. Explain EBU
9. List the Network principles

PART -B

1. Explain about placement of microphones for different instruments
2. List the general rules pertaining to placement of microphones for music recording
3. Compare three-Channel (3-0) Stereo and four-Channel Surround (3-1 Stereo)
4. Discuss different Digital Surround Sound Formats
5. Explain multi-microphone techniques
6. Compare different multichannel Panning Techniques.
7. Summarize Noise Gates
8. Contrast Time code Master and Slave
9. Explain SCSI assignment matrix
1. Appreciate the importance of Time Codes 5
2. Explain ISDN 5

For detail syllabus of all other subjects of BE Sound Recording, C15 scheme do visit Sound Recording 5th Sem syllabus for C15 scheme.

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