15SR21T: Studio Recording Techniques Sound Recording 2nd Sem Syllabus for Diploma DTE Karnataka C15 Scheme

Studio Recording Techniques detail DTE Kar Diploma syllabus for Sound Recording Engineering (SR), C15 scheme is extracted from DTE Karnataka official website and presented for diploma students. The course code (15SR21T), and for exam duration, Teaching Hr/week, Practical Hr/week, Total Marks, internal marks, theory marks, duration and credits do visit complete sem subjects post given below. The syllabus PDFs can be downloaded from official website.

For all other sound recording 2nd sem syllabus for diploma c15 scheme dte karnataka you can visit Sound Recording 2nd Sem Syllabus for Diploma C15 Scheme DTE Karnataka Subjects. The detail syllabus for studio recording techniques is as follows.

Pre-requisites:

Introduction to Sound Recording.

Course Objectives:

1. Sufficient Knowledge of Microphones & loudspeaker
2. Understand the basic concepts of aesthetics and artistic elements of sound in audio Recordings
3. Brief insight to the use of Audio consoles
4. Learn the concepts of location Sound/Sync sound
5. Enhance theoretical and practical importance of Studio session procedures

Course Outcomes:

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UNIT- I MICROPHONES TECHNIQUES

Various microphone sensitivity, microphone thermal noise, microphones placement, grounding, polarity, balanced &unbalanced impedance of mics, other types of mics-pressure zone mics, lavalier mics, coincident mics, x-y stereo technique, ortf technique, m/s stereo technique, stereo boom mic, SASS mic, surround sound mic systems, in line microphone processors, windscreen and pop filters, shock mounts, stands and booms, attenuators and equalizers. Stereo micing techniques, microphone choice, specific micing techniques, microphone testing and measurements.

UNIT-II LOUDSPEAKER TECNIQUES

Diaphragm types, suspension method, direct radiators, cone radiators, dome radiators, ring radiators, panel radiators, types of loudspeaker systems- 2way, 3way, line arrays, impedance, distortion, Loudspeaker testing and measurements.

UNIT-III AESTHETICS AND ARTISTIC ELEMENTS IN AUDIO RECORDINGS

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UNIT-IV LOCATION SOUND/SYNC SOUND

Selection of microphones for sync recording, boom techniques, Lavalier techniques, signal flow, recorders, sync, mixers, monitoring systems, power, set etiquette.

UNIT -V MIXING CONSOLES

Channel strip, pre- amp, equalisation section, auxiliary section, monitors, faders and busses, master section, meters, monitoring sound, patch bay, signal flow, setting levels and gain structure, Talk Back, audio interfaces, Laptop with audio interface signal flow, recording using an analog or digital 4/8 track all-in-one recorder, recording a live performance.

UNIT-VI STUDIO SESSION PROCEDURES:

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Reference Books:

1. Location Sound bible -Ric Viers
2. Art of Recording – William Moylan
3. Electro Acoustics Devices- Microphones and Loudspeakers – Glen Ballou
4. Audio Engineering 101 – Timothy A. Dittmar

Course Delivery:

The course will be delivered through lectures and presentations, suitable Videos

Suggested List of Student Activities:

Note: the following activities or similar activities for assessing CIE (IA) for 5 marks (Any one)

1. Each student should do any one of the following type activity or any other similar activity related to the course and before conduction, get it approved from concerned Teacher and HOD.
2. Each student should conduct different activity and no repeating should occur

1. Collect the information about the Microphone and submit a hand written report
2. Conduct a market survey on the mixing consoles and submit hand written report

Note to IA verifier:

The following documents to be verified by CIE verifier at the end of semester

1. Blue books ( 20 marks)
2. Student suggested activities report for 5 marks and should be assessed
3. Student feedback on course regarding Effectiveness of Delivery of instructions & Assessment Methods.

Model Question Paper:

(CIE)

1. Explain balanced and unbalanced impedance of mics
2. Describe x-y stereo techniques OR Explain the different microphones placement techniques
3. List the uses of loud speakers
4. Write a note on piezo electric loud speaker OR Demonstrate Loud Speaker testing and measurements

Model Question Paper:

PART-A

1. Explain balanced and unbalanced impedance of mics
2. Describe x-y stereo techniques
3. List the uses of loud speakers
4. Write a note on piezo electric loud speaker
5. Explain spatial properties
6. Write a note on rhythmic patterns
7. Discuss the microphone boom techniques
8. Explain faders and busses
9. Write a note on overdubs

Part- B

1. Explain the different microphones placement techniques
2. Demonstrate microphone testing and measurements
3. Demonstrate Loud Speaker testing and measurements
4. Explain in detail the different pitch levels and their relationships
5. Explain the selection of microphones for sync recording
6. Discuss the location sound monitoring systems
7. Demonstrate the analog model of signal flow in mixing console
8. Explain the process of recording a live performance
9. Demonstrate the Preproduction process in detail
10. Write a note on
1. Mixing
2. Mastering

For detail syllabus of all other subjects of BE Sound Recording, C15 scheme do visit Sound Recording 2nd Sem syllabus for C15 scheme.

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