Project Textile Design (Printing) 6th Sem Syllabus for Diploma BTEUP 2017

Project detail BTEUP Diploma syllabus for Textile Design (Printing), effective from 2017 is collected from BTEUP 2017 Syllabus official website and presented for diploma students. The course details such as exam duration, Teaching Hr/week, Practical Hr/week, Total Marks, internal marks, theory marks, duration and credits do visit complete sem subjects post given below. The syllabus PDFs can be downloaded from official website.

For all other textile design (printing) 6th sem bteup diploma syllabus 2017 you can visit Textile Design (Printing) 6th Sem BTEUP Diploma Syllabus 2017 Subjects. The detail syllabus for project is as follows.

Rationale:

The purpose of introducing the projects are to enable student to apply the knowledge, skills and attitudes acquired during the entire course of the solution real life problems.

1. PURPOSE AND ASSESSMENT :

Each student will be assigned a specific problem solving right from conception of design up to the execution of design. The assessment of project work shall be based on.

1. Definition of the problem.
2. Explain the approach towards solution of the problem .
3. Developing and sketches (Developing alternatives).
4. Colour schemes.
5. Final Design.
6. Fabric selection.
7. Quality of print.
8. Procedure adopted by the student in arriving at final solution.
9. Originality of the design concepts.
10. Initiative and participation of the student.

A viva voce examination shall be conducted at the end of the project for assessing the work of the student. The examination committee for this purpose shall consist of a professional designer, teacher who has guided the project. The project work should be properly displayed by the student.

2. SUGGESTED PROBLEMS FOR PROJECT WORK :

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SUGGESTED Topics

1. THEME : Floral pattern in stylised and naturalistic form.
1. FOR : Saree for summer wear.
2. FABRIC : Shaffon
3. METHOD : Hand painted
4. DYE : Acrymen
5. PLACEMENT: Of your choice
6. COLOR SCHEME: No limit
7. PRACTICAL SUBMISSION: On ‘5.’ meter organdie fabric.
8. SPECIAL FEATURE : placement and colour scheme, as in this method you can have light and dark shades, the play of the fine artwork with brush. Each report to have the characteristic of the flow of the hand as you are not allowed to trace the design of the fabric. Each report to be in origional form
2. THEME: Indian mythology depicting a Mahabharat or Ramayana scene. The design you could use the salient feature of mytholoy e.g. the chariot wheels. The armour used for warriors or the decorative form of architecture arches etc.
1. FOR: bed cover / floor covering.
2. FABRIC: Screen printing lacquer method.
3. METHOD: Of your choice.
4. PLACEMENT: Of your choice.
5. DYES: Acramyn.
6. REPEAT: Based on the theme.
7. COLOR SCHEME: Minimum five colours.
8. PRACTICAL SUBMISSION: Double Bed Covers/Floor covering.
9. SPECIAL FEATURE: The choice of the fabric, and to create a harmony in the theme for all the objects as they will be placed in one room the ingenuity lies in your design to use minimum screens from small layout to large layout.
3. THEME: Batik and block printing technique in geometrical or abstract design.
1. FOR: Set of dinning room consisting of Table cloth and napkins or table mats and napkins. Oil painting in the theme of still life of ceramics and fruits.
2. FABRIC: Khadi/cotton
3. PLACEMENT: Your choice based on the need. The above three techniques.
4. DYES: Pigment
5. REPEAT: Based on the placement and theme.
6. COLOR SCHEME: Minimum three colours including the back ground.
7. PRACTICAL SUBMISSON: Standard sizes of the requirement.
8. SPECIAL FEATURE: The application of the technique its limitations and its scops for effects.
4. THEME: Paisleymotifs with decorative form of floral pattern increased with black out line work.
1. FOR: Silk screen.
2. METHOD: Block printing on dyed fabric for discharge colourings.
3. PLACEMENT: Border on four sides with centre motif.
4. DYES: Direct dyes for dyeing the cloth and discharge dyes for printing the block designs. Size of the fabric for practical submission 36″X 36″.
5. REPEAT: Based on the placement and formation of the blocks implied.
6. COLOR SCHEME: Black outline. Coloured background and two colours of the pattern.
7. SPECIAL FEATURE: The discharge technique, as this technique replaces the original colours and white on coloured background, the intermingling of colour effect.
5. THEME: Sea Animals (Fishes),sea weeds and sea shells.
1. FOR: Bath room set. Bath towel, bath mat, Hand towel, guest towel. Bath room curtains.
2. FABRIC: Ready made set or towelling material for the towel set and cambric for the curtain.
3. METHOD: Lacquer screen printing.
4. PLACEMENT: Your choice.
5. DYES: Acramyn
6. REPEAT: Of your choice.
7. COLOR SCHEME: On white back ground three stages one colour shades.
8. PRACTICAL SUBMISSION: Standard sizes towels.
9. SPECIAL FEATURE: The placement of designs and the colour effect.
6. THEME: Tantric Art.
1. FOR: Sitting room set consisting of carpet partition screen or room divider.
2. METHOD: Screen printing, block printing and any applied effect.
3. PLACEMENT: Your choice.
4. DYES: Acramyn.
5. REPEAT: Refer to special feature.
6. COLOR SCHEME: Minimum 4 colours including the back ground. No white allowed in the design.
7. SPECIAL FEATURE: The curtain placement to the usual designs. Unholstry fabric design should have all over placement and more of textural quality the screen should have all the applied art techneques (printing and embroidary etc)
7. THEME: Floral patterm, flower heads buds, leaves and stem in intricate fine line work.
1. FOR: Cambric.
2. METHOD: Photographic screen printing.
3. DYES: Fancy dyes.
4. COLOR SCHEMES: Two colour only.
5. PLACEMENT: All cover.
6. REPEAT: 30 cm X 90 cm
7. PRACTICAL SUBMISSION: On 3(three) meter piece.
8. SPECIAL FEATURE: Photographic screen printing which has a good effect of the line work
8. THEME: Opart.
1. FOR: Sari.
2. FABRIC: Nylon or organdie.
3. METHOD: Nozzle printing.
4. DYES: Enamel paint.
5. COLOR SCHEMES: One colour only.
6. PLACEMENT: All over.
7. REPEAT: Your choice.
8. PRACTICAL SUBMISSION: A complete sari.
9. SPECIAL FEATURE: The free hand moving.
9. THEME: Floral pattern
1. FOR: Dress.
2. FABRIC: Cotton.
3. METHOD: Spray painting with the stencil technique.
4. COLOR SCHEMES: One colour only.
5. REPEAT: Your choice.
6. DYES: Mordant dyes.
7. PLACEMENT: Half drop.
8. PRACTICAL SUBMISSION: 3 meter fabric.
9. SPECIAL FEATURE: Subduedeffect of the stencil and spraying effect of the dyes.

Design for Roller printing and photographic screens on paper only.

1. THEME: Transfer of Paper Design on
1. FOR: Stylised floral pattern. Sarees (Synthetic)
2. FABRIC: Synthetic material.
3. METHOD: Photographic screen printing.
4. PLACEMENT: All over.
5. DYES: Pigments.
6. REPEAT: 40 cm. X 120 cm.
7. COLOR SCHEMES: four colours on white back ground.
2. THEME: Trees in prespective.
1. FOR: Curtains.
2. FABRIC: Cotton stain.
3. METHOD: Roller printing.
4. PLACEMENT: In horizontal stripes.
5. DYES: Acramyn.
6. COLOR SCHEMES: Trees colours during Autumn 3-4
7. REPEAT: 24″ X 48″

For detail syllabus of all other subjects of BE Textile Design (Printing), effective from 2017 do visit Textile Design (Printing) 6th Sem BTEUP syllabus for 2017.

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