Storyboard & Animatics Syllabus for Animation 3rd Sem 2017 Pattern Mumbai University

Storyboard & Animatics detailed Syllabus Scheme for Bachelor in Animation (Animation), 2017 regulation has been taken from the University of Mumbai official website and presented for the Engineering students. For Course Code, Course Title, Paper Type, Marks Assigned, Theory Hours/Eqvt, Practical Hours, Credits and other information, do visit full semester subjects post given below.

For all other Mumbai University Bachelor in Animation 3rd Sem Syllabus 2017 Pattern, do visit Animation 3rd Sem 2017 Pattern Scheme. The detailed syllabus scheme for storyboard & animatics is as follows.

Storyboard & Animatics Syllabus for 2nd Year 3rd Sem 2017 Pattern Mumbai University

Storyboard & Animatics

UNIT 1

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UNIT 2

UNDERSTANING THE SCRIPT BASICS – IT IS IMPORTANT FOR EVERY STORY BOARD ARTIST TO BE ABLE TO IDENTIFY THE ELEMENT OF A SCRIPT AND TO BE ABLE TO INTERPRET THE WRITTEN WORDS. EVEY SCRIPT HAS 5 FUNDEMENTALS ELEMENTS : SLUGLINE, ACTION, CHARACTER, DIALOGUE AND WRYLY EACH OF THESE COMPONENTS PROVIDES ESSENTIAL INFORMATION FOR A STORY BOARD ARTIST TO DEFINE THE CAMERA ANGLES. 2

UNIT 3

UNDERSTANING THE SCRIPT BREAK DOWN : THE STORY BOARD ARTIST SHOULD BE ABLE TO UNDERSTAND HOW TO BREAK THE SCRIPT OR SCREENPLAY INTO VISUALS. IT WILL HELP HIM TO VISUALIZE AND UNDERSTAND EACH ELEMENT IN THE SCENE EG : INTERIOR, EXTERIOR, DAY OR NIGHT, CAST, CHARACTER POSITION, PROPS POSITON, TRANSITION, EFFECTS, TIMIING ETC.

UNIT 4

UNIT 5

IMPORTANT ASPECTS TO CONSIDER : ASPECT RATIO , CONTINUITY, VISUAL LOGIC , DIFFERENCE OF OPINION, THE CAMERA ANGLE, LINE OF ACTION, THE FRAMING AND ANGLES, DIFFERENT CUTS, ETC. 2

UNIT 6

ANIMATICS – THEY ARE ANI MATED STORYBOARDS. THEY ARE USED FOR VARIOUS PURPOSES DEPENDING ON THE MEDIUM FOR WHICH THEY ARE BEING PRODUCED. ANIMATICS ARE USED EVERYDAY IN THE ADVERTISEMENT INDUSTRY TO TEST COMMERCIAL. THEY ARE USED TO PREVIEW SCENES OF LIVE ACTION FILMS BEFORETHEY ARE SHOT. YOU WILL ALSO FIND ANIMATICS IN THE PRE PRODUCTION STAGES OF ANIMATION AND IN THE VIDEO GAME INDUSTRY. 2

UNIT 7

UNIT 8

STEP 1 – THE FIRST STEP IN CREATING AN ANIMATIC IS THE CREATIVE BRIEF CALL WITH THE ANIMATICS ARTIST. GENERALLY, A PRODUCER, DIRECTOR, DESIGNER, AND ILLUSTRATORS FROM THE COMPANY WILL BE ON THIS CALLTHESE PEOPLE WILL SUPERVISE THE PROCESS. YOU’LL DISCUSS THE CONCEPT, CHARACTERS, WARDROBE, BACKGROUNDS, PRODUCT, DEMO SEQUENCES, AND MORE. AFTER THE BRIEF, THE STORY BOARD ARTIST WILL SHARE A DIRECTOR’S BOARD. DIRECTOR’S BOARDS ARE TYPICALLY ROUGH BLACK-AND-WHITE FRAMES PRESENTED IN A STORYBOARD FORMAT TO HELP THE ANIMATICS ARTIST TO ALIGN ON STORY FLOW AND ANGLES.

UNIT 9

STEP 2 – THE SECOND STAGE OF PRODUCING AN ANIMATIC FOCUSES ON THE LOOK OF THE ARTWORK ITSELF (INSTEAD OF THE MOVEMENT OF THE STORY OR CHARACTERS). THE ARTWORK WILL AFFECT THE STORYLINE AS WELL AS THE VIEWER’S UNDERSTANDING OF THE MESSAGE. AT THIS STAGE, DEPENDING ON THE STYLE OF ART CHOSEN, THE ANIMATICS ARTIST MAY PRESENT VARIOUS DELIVERABLES:

2D ILLUSTRATED STORYBOARDS.
3D CHARACTERS AND BACKGROUNDS. 2

UNIT 10

PRACTICAL EXCERCISE

CHOOSE A SCRIPT – ANIMATION OR LIVE ACTION AND CREATE THUMBNAIL STORY BOARD
SELECT ONE OF THE ANIMATED FILMS AND STUDY THE SHOT DIVISION AND WRITE THE LOGING BEHIND THE SHOT DIVISION
CREATE A STORY BOARD FOR A SEQUENCE IN ANY OF THE RELEASED ANIMATED FILMS OR LIVE ACTION FILMS. AND COMPARE YOUR STORY BOARD WITH FINAL MOVIE.

Reference Books:

STORY BOARDING ESSENTIAL – BY DAVID HARLAND ROUSSEAU AND BENJAMIN REID
THE STORYBOARD ARTIST : A GUIDE TO FREELANCING IN FILM, TV AND ADVERTISING.

REFERENCE LINKS

For detail syllabus of all other subjects of Bachelor in Animation (Animation), 2017 regulation do visit Animation 3rd Sem Subjects syllabus for 2017 regulation.

InI MH