Fundamentals of Film Making detailed Syllabus Scheme for Bachelor in Visual Effects (Visual Effects), 2017 regulation has been taken from the University of Mumbai official website and presented for the Engineering students. For Course Code, Course Title, Paper Type, Marks Assigned, Theory Hours/Eqvt, Practical Hours, Credits and other information, do visit full semester subjects post given below.
For all other Mumbai University Bachelor in Visual Effects 1st Sem Syllabus 2017 Pattern, do visit Visual Effects 1st Sem 2017 Pattern Scheme. The detailed syllabus scheme for fundamentals of film making is as follows.
Fundamentals of Film Making Syllabus for 1st Year 1st Sem 2017 Pattern Mumbai University
UNIT 1
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UNIT 2
INTRODUCTION TO SCRIPT DEVELOPMENT:HOW TO WRITE A GOOD SCRIPT, INSPIRATION TO A STORY,RESEARCH, COMMERCIAL STORY TELLING,HOW TO WORK ON A PROJECT,TIME MANAGEMENT, 4
UNIT 3
SCRIPT WRITING PART-2:RESEARCH MATERIAL FOR SCRIPT DEVELOPMENT,INTERTESING JOURNALS; INSPIRATIONAL MUSIC: HOW TO LET YOUR MIND FREE, READY TO STRIKE IDEAS WHEN THEY HIT;SURF INTERNET; RESEARCH BY STUDING THE TIME PERIOD; CHARACTERS, CUSTOMS, FAHIONS, TECHNOLOGIES, VALUES OF THE WORLD. 4
UNIT 4
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UNIT 5
SCRIPT DEVELOPMENT: PART 3:WORKING WITH THE WRITER,;STORY STRUCTURE; 2
UNIT 6
PREPRODUCTION: BREAKING DOWN THE SRCIPT; DETERMINING THE BUDGET; SECURING THE FINANCING, SCOUTING LOCATIONS, CASTING; HIRING THE CREW; SECURING EQUIPMENT; SCHEDULING THE SHOOT DATES. 4
UNIT 7
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UNIT 8
BUDGETING: CHOOSE A BUSINESS FORMULA; PLAN; FORM A COMPANY; GETTING THE APPROPRIEATE QUOTE FOR EQUIPMENTS, LOCATIONS, PERSONNEL, CAST AND CREW, SHAPE THE BUDGET; WORKING WITH THE LINE PRODUCER; TIPS TO KEEP BUDGET LOW. 4
UNIT 9
SCHEDULING: LINING THE SCRIPT; SCENE BREAKDOWN SHEETS;DETERMINE THE NUMBER OF SHOOTING DAYS; MAKING THE DAILY SCHEDULE;FINALIZING THE SCHEDULE;PRODUCTION PROCESS 4
UNIT 10
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UNIT 11
FILM PRODUCTION FUNDAMENTALS: PRODUCTION DESIGN: INTRODUCTION TO PRODUCTION DESIGN; PROPS; WARDROBE; BUILDING SETS; SET DRESSING; CREATING A TIME PERIOD. A DAY ON SETS; ORGANIZATION SHOTS 2
UNIT 12
DIRECTORS ROLE: DIRECTING DURING PRE-PRODUCTION, DURING PRODUCTION, ACTIVITIES, BREAK DOWN THE SCRIPT TO DETERMINE STORY AND CHARACTER, STORY BOARD EACH CHARACTER ANGLE, WORKS WITH ACTORS TO HELP THEM TO UNDERSTAND THEIR CHARACTERS. DETERMINING THE COVERAGE: BLOCK THE ENTIRE SCENE FOR THE CAST AND CREW,. REHERSAL-BLOCK SCENE WIH EACH ACTOR. WORK WITH DEPARTMENT HEADS SO THEY HAVE A CLEAR UNDERSTAND OF THE VISION 4
UNIT 13
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UNIT 14
THE DIRECTOR OF PHOTOGRAPHY: HIRING THE DIRECTOR OF PHOTOGRAPHY; CRAFTING THE LOOK; 4
UNIT 15
CAMERA: THE CAMERA: THE CAMERA IS THE EXTENSION OF THE AUDIENCE; CHOOSING THE LENSES, THE FIVE RINGS OF LENS, FOCUS, FOCAL LENGTH, EXPOSURE, WHITE BALANCE. 4
UNIT 17
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UNIT 18
LIGHTING: THE QUALITY OF LIGHTS, LIGHT METER, THREE POINTS LIGHT, WORKING WITH SHADOWS, LIGHTING SCENE 2
UNIT 19
LIGHTING OUTSIDE: OVERHEAD AND REFLECTORS, PROPER CONTRAST, LOW BUDGET OPTIONS 2
UNIT 20
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UNIT 21
INTRODUCTION TO EDITING: THE EDITING FUNDEMENTALS, THE CRETIVE EDITING, THE SOFTWARES USED FOR EDITING, ANALOG AND DIGITAL EDITING, THE EDITORS ROLE IN A FILM. PRINCIPLES OF EDITING. 2
UNIT 22
INTRODUCTION TO SOUND: THE RE RECORDING PROCESS, FOLEY, THE SOUND DESIGN. VARIOUS TECHNOLOGY AND CREATIVE PROCESS INVOLVED IN SOUND DESIGN. 2
PRACTICAL EXCERCISE
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READING BOOKS
- THE COMPLETE FILM PRODUCTION HANDBOOK BY EVE LIGHT HONTHANER, 2001, FOCAL PRESS.
- CONTRACTS FOR THE FILM AND TELEVISION INDUSTRY BY MARK LITWAK, 1994, SILMAN-JAMES
- THE POWER FILMMAKING KIT-JASON J.TOMARIC
- THE FILMMAKERS HANDBOOK: A COMPREHENSIVE GUIDE FOR THE DIGITAL AGE (2013 EDITION) BY STEVEN ASCHER AND EDWARD PINCUS
- DIRECTING: FILM TECHNIQUES & AESTHETICS (FIFTH EDITION, 2013) BY MICHAEL RABINGER AND MICK HURBIS-CHERRIER
READING LINKS :
- http://guides.lib.berkeley.edu/c.php?g=4407&p=15594
For detail syllabus of all other subjects of Bachelor in Visual Effects (Visual Effects), 2017 regulation do visit Visual Effects 1st Sem Subjects syllabus for 2017 regulation.